By Shana Bestock
Bringing creativity into the classroom isn’t only for art teachers! Creativity hinges on discovery, and as educators we can intentionally set the stage for those moments of discovery to happen. Creativity is also intrinsically tied to collaboration–whether individually, by engaging different aspects of the self in conversation, or collectively, by communicating with others to build something together. Creativity is about being ingenious, resourceful, and taking risks. Whether your focus is math or reading, science or history, coding or painting, creativity is an essential ingredient to learning, engagement, and sparking curiosity and joy. Every teacher, no matter their subject area, can borrow from the Zoom-friendly exercises below to jumpstart their students’ creativity and prepare them for the lesson ahead.
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By Benjamin Barbour
The COVID-19 pandemic has transformed education and forced teachers to reconsider how they assess students. The virtual classroom demands something other than the traditional multiple choice or fill-in-the-blank test, assessments that even in the best of times often require little more than recall. Students learning from home have access to the internet and, in some cases, their textbooks as well. This requires teachers to “google-proof” assessments by asking questions that demand more creative and analytical responses.
Remote learning provides educators with an opportunity to try new approaches to evaluation. I have found that incorporating current events into my classroom in a more systematic manner has opened new opportunities for both formative and summative assessment.
Continue reading “Using Current Events for Online Assessment”
By Christine Boatman
As a social studies teacher, I am always curious about how future historians will view current events. Lately, I’ve found myself particularly interested in how the COVID-19 pandemic will be analyzed by generations to come—and, seeking a precedent that might provide some clues, I’ve found myself drawn to how history remembers the Spanish flu of 1918. This semester, I’ll be using this comparison to help my students contextualize current events by investigating a historical event. Furthermore, the three activities I’ve put together for this purpose will help my students develop their critical thinking skills. We will be investigating stories of individuals impacted by the Spanish flu, exploring primary sources related to the Spanish flu, and, finally, my students will write an account from the perspective of an individual living in 1918, based on these primary sources. (Please note: it is important to take into account the ages and individual experiences of your students when planning these activities, and to be sensitive to any adverse reactions.)
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By Sharon Kunde
Teachers are currently closing out the school year and laying the groundwork for the next. But there is, of course, a problem: none of us know what kind of situation we’ll come back to. While school districts and teachers’ unions discuss physical conditions that might make in-person teaching possible (things like reduced schedules, classroom sanitization, extra buses), it remains likely that many of us will use online instruction, either in a blended or intermittent fashion.
In the face of these uncertainties, teachers can prepare this summer by thinking broadly and flexibly about their educational goals. What follows are four guidelines for designing curriculum plans for new and shifting teaching circumstances.
Continue reading “Preparing for 2020-2021, When There’s No Way to Know What to Expect”
By David Nurenberg
Even more so than in a physical classroom, teachers in an online environment can’t expect to only lecture—whether in real time or in a downloadable video—and have their students learn. Fortunately, some go-to strategies of more student-centered learning translate well to an online environment.
The “Think Pair Share” (TPS) is a useful tool for engaging every single student in doing something, and for holding them accountable for their learning. Students begin by thinking through a problem or question and writing down their thoughts. This writing can make for good formative assessment, but only if it’s graded on a “did it/didn’t do it” basis, or else students may be too scared to experiment with their ideas. Next, they compare thoughts with a partner, and both students refine their understanding. They share out further with a small group of four or five before the teacher brings the entire class back together to engage with the lesson.
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Reposted with permission from edCircuit
Many baby boomers share a common, vivid memory: Most stood in a long line at school to get a sugar cube vaccine for protection against the polio epidemic. Parents were justifiably panicked. In 1952 alone, close to 60,000 children were infected, with thousands paralyzed. Swimming pools were closed, and social distancing measures were enacted. * Children with braces on their legs became a common sight, and the world learned what it was like for children to spend their days within the confines of iron lungs. But in the midst of this terrible sorrow and fear gripping the world, medical heroes emerged. Indeed, incredible learning was taking place; in fact, two vaccines were created. One required just two drops of vaccine, often on a sugar cube. Over a fairly short period of time, polio was virtually eradicated.
Continue reading “Helping Learners “Lean In” Intellectually During the Pandemic”
I confess. I still teach Sherman Alexie’s books. I value the quality of his work and the power it has on adolescent readers too much to give it up. That declaration has created confusion, consternation, and even condemnation by some fellow teachers who heretofore thought I was at least passably “woke.” How can I be a feminist and teach the works of such a serial abuser? You probably still watch Woody Allen movies, they sneer.
Similarly, despite the reasonable reconsideration of the dominance of Shakespeare in literature curricula, I am not swayed by the argument that his plays shouldn’t be taught because they are “triggering.” From my perspective, both the rise of trigger warnings and the #MeToo movement have reshaped and perhaps diminished the landscape of the politics of teaching literature.
Continue reading “Trending in 2020: To Teach or Not to Teach “Triggering” Texts”