By Sharon Kunde
Marianne Moore argued that good poetry fashions “imaginary gardens with real toads in them”: worlds created of words in which toadlike reality crouches and springs on us, eliciting clenched hands, dilated eyes, “hair that can rise/if it must” (24, 5-6). Like good poetry, good pedagogy invites students into the world of ideas and allows them to create useful, authentic experiences and artifacts with those ideas.
While poems are easy to integrate into units on longer prose works, I strongly recommend devoting an entire unit (or more!) to poetry. In honor of National Poetry Month, here are some suggestions for final projects around which you can build an engaging poetry unit.
Continue reading “Three Poetry Final Projects for National Poetry Month”
By Melissa Smith
Imagine my student’s surprise when Elizabeth Acevedo complimented her analysis of her poem , or when Nate Marshall tweeted that a student’s blog on his poem was “dope” and “fresh.” Students feel recognized and validated, and these interactions are one of the most rewarding benefits to teaching living poets.
The #TeachLivingPoets movement started as a simple hashtag—a way for me to share my favorite poems and ways to teach them on social media. In 2017, after Skyping with poet R. A. Villanueva, whose poems we had read in class, my students begged me to set up another call; they wanted more. We ended up Skyping with him three times and the reaction I saw in my students was pure teaching gold. They were enthralled. They wrote guitar songs set to his poems. They wrote poems responding to his poems. They were excited—about poetry! The following year, social media interaction and Skype video calls quickly morphed into poetry readings and classroom visits.
Continue reading “The Power of Teaching Contemporary Poetry”