I have just completed my fourth week of teaching college-level courses online. With each class session I have had to make new pedagogical shifts, which are as applicable in a K-12 online setting as they are in a higher-ed environment. I mostly teach preservice teachers at Whittier College, a small liberal arts college in Southern California, known (for better or worse) for being Richard Nixon’s alma mater. My specialization is second language acquisition and designing equitable environments for English language learners (ELLs) within school systems. Historically, ELLs in classrooms have been relegated to little or no classroom participation. ELLs have not been required, or oftentimes, expected to speak in the classroom setting. As I oftentimes remind my preservice teachers, the person talking the most is learning the most, so we must require all students to speak and be engaged in the classroom setting. I am taking this lesson to heart as I transition my own classrooms to an online setting, where students can easily become passive and disengaged, whether they are K-12 students or preservice teachers themselves.
The beginning of the school year can be stressful for students and teachers alike. What better time to introduce a calming break within the school day? By structuring a quiet minute at the start of class, after lunch, or when transitioning between activities, we offer students and faculty a chance to catch their breath, literally. By offering our students the gift of quiet, even for a moment or two, we can transform our classrooms into a zone of peace. I hope this post, composed of excerpts from my book, Classroom Yoga Breaks (2016), will inspire you to create some moments of stillness in your days at school.
Here’s a mystery: why, when I talk
to teachers about what literature they teach, does crime fiction rarely if ever
make the list? I can make some guesses: lurid subject matter, graphic
descriptions of gore or sex, a kind of literary snobbery, anticipated parent and/or
administration disapproval. However, having spent the last several years reading
crime fiction—primarily from countries outside the U.S.—I could easily put
together a collection of titles whose content is in no way lurid, does not
truck in gore, and handles sex scenes, if any, in mature and discreet ways. That
leaves the presumption that crime fiction is not serious literature and should
therefore not be taught in school. Let me use the rest of my allotted word
count to help us get beyond the loner, gumshoe, Sam Spade stereotypes and
create an argument for those outside your classroom who would raise eyebrows or
hackles or worse.