By Sharon Kunde
The English classroom is a crucial space for us, as teachers, to cultivate anti-racism. In ELA class, students learn which stories and points of view matter—they are taught which voices and narrative styles are legitimate. While strides have been made in the past years and decades to remove racist content from our English curricula, this is not enough to constitute an anti-racist curriculum. In order for our curricula to be truly anti-racist, we must rethink our entire system of literary study.
Continue reading “Cultivating an Anti-Racist English Classroom”
I confess. I still teach Sherman Alexie’s books. I value the quality of his work and the power it has on adolescent readers too much to give it up. That declaration has created confusion, consternation, and even condemnation by some fellow teachers who heretofore thought I was at least passably “woke.” How can I be a feminist and teach the works of such a serial abuser? You probably still watch Woody Allen movies, they sneer.
Similarly, despite the reasonable reconsideration of the dominance of Shakespeare in literature curricula, I am not swayed by the argument that his plays shouldn’t be taught because they are “triggering.” From my perspective, both the rise of trigger warnings and the #MeToo movement have reshaped and perhaps diminished the landscape of the politics of teaching literature.
Continue reading “Trending in 2020: To Teach or Not to Teach “Triggering” Texts”